| All the glass items produced by Louis Comfort Tiffany | | | | Tiffany. |
| (1848-1933) are named Tiffany glass. Louis Comfort | | | | Streamer glass to a glass sheet with an outline of |
| Tiffany is probably the most famous stained | | | | glass cords attached to it. Tiffany used this king of |
| glassproducer in the U.S. He is so well known not only | | | | textures to include grass and twigs. Streamers |
| because of his windows but especially for his so | | | | wereset from a molten glass, collected on the edge of |
| famous "Tiffany Lamps". | | | | a punty, rapidly moved back and forth and extended |
| In 1865 Tiffany visited the Victoria and Albert Museum | | | | into long cords which rapidly harden. These |
| in London and he was very impressed by the Syrian | | | | streamerswere placed on the molten side of the glass |
| and Roman glass artworks. In 1878 Tiffany decided | | | | sheet, becoming permanently fused. |
| tocreate stained glass. He opened a stained glass | | | | Fracture glass to a glass sheet with an outline of |
| studio mostly because he wasn't able to find the | | | | irregular slim glass attached to it. Tiffany also used this |
| stained glass that he was looking for in central | | | | kind of textures to include foliage glimpsedfrom a |
| decoration. | | | | distance. The irregular glass, known as fracture was |
| He became well-known both as a windows designer | | | | set from a hot molten glass collected at the end of a |
| and as a producer of the material he used for creating | | | | blowpipe. A bubble is then dynamicallyblown until it |
| the windows. | | | | rapidly extends and hardens. The blown shards are |
| He liked his windows to express rich colors therefore | | | | placed on the molten side oh the glass sheet to |
| he created a kind of glass known as Favrile. Most of | | | | become permanently fused. |
| his creations are clarified here. The opalescentglass | | | | Ripple glass to a glass sheet with attached exterior |
| was used to explain the glass with more than one | | | | waves. Tiffany used this kind of textures to include |
| shade, fused during the construction. He was against | | | | leaf veins or water. The sheet is made from |
| bursting glass which implies laminating 2 colorsor shiny | | | | moltenglass with a self rotating roller. Usually the roller |
| glass where nitrates are superficially applied. | | | | is rotating at the same speed and the resulting sheet |
| Opalescent glass was used in some workshops in | | | | has a shiny surface. In ripple glass making, theroller |
| England by Bayne, Butler and Heaton. Opalescent | | | | rotates faster than its head motion. After the glass |
| glass is the foundation of the crystals crafted by | | | | cools, the rippled effect lasts permanently. |